![]() ![]() ![]() Waves F6Ī great solution in this scenario would be to use a dynamic EQ, like Waves F6. It can be tricky to decipher where problematic frequencies are if you haven’t got years of experience behind you. You need to make decisions based on the performance the vocalist and microphone have captured. Copying another engineer’s EQ decisions will more than likely make your vocal sound worse. When it comes to EQ there can be a lot of misleading information available. If that sounds too good to be true then read on… EQ What you want is a simple vocal chain that isn’t destructive to the original audio but still tames problematic frequencies and smoothes out the dynamic range. Making drastic cuts and boosts can be counterintuitive and are these problems only become worse as we introduce more signal processing. Something all too common in vocal processing is overcomplicating the vocal chain. Crafting great pop vocals can sometimes feel like a monumental task. ![]()
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